12.12.2010 Public by Samukinos

An analysis of the poetic devices in robert frosts the road not taken

The analysis of literary devices explains the hidden meanings of a literary text or a poem. The use of literary devices is intended to bring richness and clarity to the text with different meanings. The Road Not Taken by Robert Frost is also filled with important undertones with the following literary devices.

In this Racial discrimination workplace essay we dived into The Road Not Taken Analysis which includes a detailed critical analysis, poetic devices used in the poem, central idea of the poem, tone and themes conveyed in the poem. If Frost is to be believed, the poem means exactly what it seems to mean — about a walk along a forest trail.

"The Road Not Taken" by Robert Frost poem analysis?

However, most readers have thought that the poet is actually talking about life, and how in life we must all make difficult choices. If we accept this interpretation, then we can read the poem in two ways. We can read the poem as meaning that whatever decision the poet took in his life was a final one, one to which he could never return and elect to choose the other alternative.

In this case, the poet is filled with regret that the time for choosing has passed him by, and only consoles himself by saying he has made a good choice like in the story in which the wolf is happy with sour grapes as he is unable to reach sweet grapes that grow very high up in the trees.

Scad application essay prompt

However, we can also read the poem to mean that he is truly satisfied with the choice he has made. In this case, when the poet revisits the episode in the future, he believes that even though he will not be able to make the decision again, his choice had mattered a great deal in his life. It has been beneficial for him to choose the path that others have not chosen, for that makes him unique.

As the popular adage goes — those who are different do not necessarily do different things; they do things differently. Furthermore, his indecision causes him eventual discomfort so as to adjudicate over one singular course of action.

Please turn JavaScript on and reload the page.

Using yellow wood as a symbolic gesture to old age approaching fast, his ultimate choice will bear the brunt over the remnant of his days. The after-effects are irreversible. His choices will ultimately affect his future. Stanza 2 The individual seems double-minded here.

Patient satisfaction thesis

On the overview, they visually strike as similar, with no appreciable distinction. His lack of initiative and indecision causes him immense discomfort and hesitation, as a result. Stanza 3 The individual attempts to convince himself with little success, bordering on self-delusion. He persuades himself that if one road proves to be unsuitable, he would be able to make amends and choose the other path. His final decision will apparently hold with him, causing irreversible consequences.

The Road Not Taken Poem Summary and Analysis | LitCharts

Stanza 4 Consequently, in his fourth and final stanza, the individual resumes his sorrowful monotone from third stanza.

As in the last stanza, the individual realizes the finality of his decision and its irreversible effects. He realizes the magnitude of the impact the road had on him. Marrying elements of form and content, arresting artistic phraseology and metaphors, the poem is mostly read without being understood.

The archetypical conundrum is the primary attraction of the poem, readers instantly relate with their personal experiences. Forks Clearwater paper woods are used as metaphorical devices relating to decisions and crisis.

Parallelism is the use of a source of words, phrases or sentences that have similar grammatical forms. The analysis of some of the major poetic devices used in this poem is given here.

Analysis of Poem "The Road Not Taken" by Robert Frost

A stanza is a poetic form of a fixed number of lines. In this poem, there are four stanzas with each stanza having five verses or lines. A quintain is a five-lined stanza borrowed from Medieval French Poetry.

The Road Not Taken by Robert Frost - Explanation, Analysis, Question-Answers

Here, each stanza is a quintain such as the first one or the second one. There are four beats per line, employing iambic tetrameter. Anapests means there are two short or unstressed syllables followed by one long or stressed syllable. The above example is also an anapest. This analysis shows that this poem, though, seems a simple and innocent composition, points to the reality of making decisions in complex situations.

An Analysis of Tone in The Road Not Taken, a Poem by Robert Frost

The point to remember is that the road has been emphasized Op-ed essays that it is the choice that makes the road important for us. In other words, our preferences in life make us different from others. These two lines could be used when delivering lectures or speeches about decision-making choices in life such as:

An analysis of the poetic devices in robert frosts the road not taken, review Rating: 82 of 100 based on 41 votes.

The content of this field is kept private and will not be shown publicly.


14:12 Nazilkree:
When making a choice, one is required to make a decision.

16:40 Dazshura:
As for color, Frost describes the forest as a "yellow wood. Robert Frost wrote this poem to highlight a trait of, and poke fun at, his friend Edward Thomas, an English-Welsh poet, who, when out walking with Frost in England would often regret not having taken a different path. There are four beats per line, employing iambic tetrameter.

14:15 Juzilkree:
He finds two roads at a point where he has to choose one and must abide by his choice. In this poem, there are four stanzas with each stanza having five verses or lines.

16:46 Gular:
If we accept this interpretation, then we can read the poem in two ways. This is just a sample from a fellow student. The ironic undertone is inexorable.

10:35 Faekinos:
Ultimately, the reader is left to make up their own mind about the emotional state of the speaker at the end. Historical Perspective Robert Frost has penned the poem in first person style.